
Asa Osborne’s solo guise, Zomes, is the penultimate exercise in the study of repetition and meditative repose. Simple melodic keyboard patterns overlay primitive drum loops. The repetitive quality is both remindful of much in the oriental music tradition as well as Osborne’s guitar work in Lungfish. Patterns emerge and disintegrate, spaces expand and contract, all in a cyclic pattern that is by nature fixed and by design capable of transporting the listener to otherworldly states.
With Improvisations, Zomes second release for Thrill Jockey, the drum loops are replaced with a more obtuse drone bed pulsing not unlike a key on a harmonium that’s been taped down. The continually changing tones create a warm sea of sound that acts as a canvas for his melodic improvisations. Tonal transmissions that phase in and out of a thick drone-filled ether, captured, translated, and expressed in Zomes own unique language of meditative bliss.
With Improvisations, Zomes second release for Thrill Jockey, the drum loops are replaced with a more obtuse drone bed pulsing not unlike a key on a harmonium that’s been taped down. The continually changing tones create a warm sea of sound that acts as a canvas for his melodic improvisations. Tonal transmissions that phase in and out of a thick drone-filled ether, captured, translated, and expressed in Zomes own unique language of meditative bliss.
Zomes: Improvisations
No. 1
Zomes
No. 2
Zomes
No. 3
Zomes
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