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        <title>A Number Of Small Things/Artists/GrouperArtikel</title>
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        <description>Artikel aus der Kategorie Grouper</description>
        <language>de</language>
        <copyright>A Number Of Small Things</copyright>
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                <title>Mirrorring - Foreign Body ab 14,99 €</title>
                <link>http://www.anost.net/Musik/CD/CD/Mirrorring-Foreign-Body.html</link>
                <description>&lt;img src=&#039;http://www.anost.net/out/pictures/onthefly/oxarticle/icon/56x42/1/KRANK162 CD.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;MIRRORING is JESY FORTINO, who has recorded under the TINY VIPERS moniker, and LIZ HARRIS, better known as GROUPER. The recordings on this album came about through a songwriting session in Portland, Oregon. The resulting sounds are contemplative, reflective, and introspective, creating a feeling as much as a song, a mood as much as a tune. One could try to assess what part of the album each artist was responsible for, but that would prevent one from seeing the proverbial forest for the trees. Foreign Body was recorded and produced in 2011.</description>
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                <title>Grouper - A | A 18,99 €</title>
                <link>http://www.anost.net/Shop/Grouper-A-A.html</link>
                <description>&lt;img src=&#039;http://www.anost.net/out/pictures/onthefly/oxarticle/icon/56x42/1/KRANK168 CD.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;This is the first CD issue of GROUPER’s 2011 self released two part album subtitled Dream Loss and Alien Observer, comprised of songs written and recorded over the last four years. A chronological order informs the thematic trajectory of the dual release. Dream Loss is the first album and is a collection of older songs, while Alien Observer is mostly made of newer songs. Each is meant to stand solidly on it&#039;s own, and also as a satellite in the other&#039;s system, subjects on either side of the water&#039;s surface, on either side of a trick mirror; at times reflecting one back to the other, at times looking straight through to the other. Enough has been written about Grouper in the past few years that there is no need to wax poetic here. Suffice it to say that LIZ HARRIS has created an exquisite sonic universe where she is the sole inhabitant, and we should consider it a privilege to listen in.</description>
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                <title>Grouper - A | A : Dream Loss 17,99 €</title>
                <link>http://www.anost.net/Musik/Vinyl/LP/Grouper-A-A-Dream-Loss.html</link>
                <description>&lt;img src=&#039;http://www.anost.net/out/pictures/onthefly/oxarticle/icon/56x42/1/GR-006A.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;Third pressing. Limited to 500 copies!&lt;br /&gt;First in the two part vinyl release by Grouper. A | A is comprised of songs written and recorded over the last four years. Both albums are low, both discuss:  being an other to one’s own self, to other humans; ghosts and aliens, both literal and metaphorical; other worlds to escape to.</description>
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                <title>Grouper - The Man Who Died In His Boat ab 14,99 €</title>
                <link>http://www.anost.net/Musik/CD/CD/Grouper-The-Man-Who-Died-In-His-Boat.html</link>
                <description>&lt;img src=&#039;http://www.anost.net/out/pictures/onthefly/oxarticle/icon/56x42/1/KRANK177 CD.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;What could be better than a reissue of GROUPER’s Dragging a Dead Deer Up a Hill? How about an entire album of unreleased material recorded at the same time that is equal in quality?</description>
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                <title>Grouper - Dragging A Dead Deer Up A Hill ab 14,99 €</title>
                <link>http://www.anost.net/Musik/CD/CD/Grouper-Dragging-A-Dead-Deer-Up-A-Hill-Shop.html</link>
                <description>&lt;img src=&#039;http://www.anost.net/out/pictures/onthefly/oxarticle/icon/56x42/1/KRANK176 CD.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;REISSUED!!! The third full-length release for Portland, Oregon-based LIZ HARRIS. Harris might have achieved a significant fan base thanks to the whispering, near-ambient vocal crusades of her debut album Way Their Crept and its follow-up Wide, but those with a careful ear would have heard slightly more trapped beneath her fuzzy chain of effects. Dragging A Dead Deer Up A Hill marks a departure of sorts for Liz, which sees her turn down the fuzz boxes which caged (and to some degree defined) her sound and allows her voice to ring out above everything else. It is an album steeped in the world of dream-pop and far from shying away from the reference, Liz has instead grabbed on with both hands, creating an album&#039;s worth of perfect, left-field pop songs. Using delicate song structures which are at once both familiar and somehow alien, her vocals cry out hauntingly over stripped-down guitar lines and looped environmental recordings. These are the future soundtracks to love, despair and ultimately, hope.&lt;br /&gt;&quot;This remarkable album is actually what I personally always wanted 4AD records to sound like, only they never quite delivered the hazy pleasures their beautiful sleeve art promised.&quot; - Pitchfork</description>
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