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It begins with the sound of a church organ, an arpeggio played on the lower notes, a melody teased out in the higher register, before a snare drum beats out an ominous, stuttering tattoo. Three minutes in, guitars begin to rumble like clouds gathering on the horizon, the melody slowly swelling, threatening to tear the sky apart. This is Anna von Hausswolff’s ‘Epitaph Of Theodor’, and as dramatic, instrumental openings to albums go, it’s close to overwhelming. But it’s followed by something even more intense: ‘Deathbed’, which growls and resonates sinisterly before shards of metallic thunder shatter the drones and a funereal beat forces the song to lurch forward. Only after some four and a half minutes of this ferocious clamour do we hear a human voice, and it’s unleashed with a fierce power, rising and swooping, a vast bird pursuing its prey until the song reaches its final, unexpectedly triumphant climax.

Anna von Hausswolff: Ceremony

Epitaph Of Theodor Anna von Hausswolff 00' 00''
Deathbed Anna von Hausswolff 00' 00''
Mountains Crave Anna von Hausswolff 00' 00''
Goodbye Anna von Hausswolff 00' 00''
Red Sun Anna von Hausswolff 00' 00''
Epitaph Of Daniel Anna von Hausswolff 00' 00''
No Body Anna von Hausswolff 00' 00''
Lithurgy Of Light Anna von Hausswolff 00' 00''
Harmonica Anna von Hausswolff 00' 00''
Ocean Anna von Hausswolff 00' 00''
Sova Anna von Hausswolff 00' 00''
Funeral For My Future Children Anna von Hausswolff 00' 00''
Sun Rise Anna von Hausswolff 00' 00''

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