Getting The Fear
Death Is Bigger 1984-85
Dais Records
/
2021
LP (clear purple)
25.99
DAISLPC175
Ltd. to 600 copies, insert
LP
24.99
DAISLP175
Incl. insert
Incl. VAT plus shipping / Orders from outside the EU are exempt from VAT
Tracklist
1Rise (demo version)
2Dune Buggy Attack
3Last Salute (demo version)
4Against The Wind
5We Struggle
6Sometimes
7Yurune (demo version)
8Fatal Date
9Getting The Fear
10Swell (demo version)

Getting The Fear is a legendary 1983 UK post-punk from ex-Southern Death Cult members Barry Jepson, Buzz Burrows, Aki Haq Nawaz Qureshi with enigmatic singer Bee Hampshire (PTV, Into a Circle).

Galvanized by Margaret Thatcher's “iron fist” austerity policies and the cultural liberation of punk, the group blazed to creative fruition, quickly landing a lucrative deal with RCA. But immediately after recording their 1984 debut single, Last Salute, a shake-up at the label left them stranded and without support. Rather than stall in music industry purgatory they chose to dissolve, escaping their restrictive contract. Bee's lyrics on “Last Salute” are fitting final words: “If this must end let it pass me by / I’ll remain your friend, only flowers die.”

But this is of course only part of the story. Death Is Bigger: 1984-1985 rectifies history's error, collecting the group's entire vault of demos and unreleased songs alongside liner notes and a photo gallery capturing Getting The Fear in all their high libertine glory. The compilation's 10 tracks are alternately brooding, spiky, and sneering, fixated on dreams, sex, and Charles Manson (the sleeve of Last Salute famously features a detail from Manson's embroidered waistcoat, unbeknownst to label execs). Razor wire guitars slice across tense rhythms, veering between minimal and melodic, occasionally flowering into psychedelic poetry, revealing Bee's deep affinity with Psychic TV.

Taken as a whole, the album showcases the breadth of forking paths facing UK post-punk in 1984: pop eating itself, new wave while still new, transgression as alternative not affectation. Getting The Fear's music feels eclectic and unfettered, following whim, lust, and impulse, glinting with darkness against the fires of youth: “The earth is still beneath my feet, I start to sink to lose myself / Friends and lovers stand around unconcerned, their eyes in flames.”