|1||In The Mood For A Tattoo||3:47|
|2||The Revenge Of The Stalker||4:06|
|3||More Certain Than Death||3:46|
|4||When I Have No Words||4:32|
|7||I Whisper In My Ear||3:40|
|9||Asleep In Stockholm||4:18|
“Is the future any brighter? Is the darkness any lighter?
25% of all profits will be donated to sea- watch.org, A non-profit organization that conducts civil search and rescue operations in the Central Mediterranean.
Reissue of Molly Nilsson's 2nd album from 2009. Europa saw Molly Nilsson move away from the minimal primitivism of her debut. Remastered by James Plotkin for it’s reissue reveals a growing depth in her songwriting. Opener In The Mood For A Tattoo, with synth overdubs on top of impeccable vocal harmonising, boasts a killer chorus hook before melting into The Revenge Of The Stalker, with its shades of 80s synth pop building layered dynamics out of simplicity. More Certain Than Death is a song of youthful rebellion, even if you didn’t know it at the time, forever searching for a way out of youth while young. Of course now, over a decade since their release, these songs have been canonised in the alternative pop realm like all of Molly Nilsson’s catalogue. The DIY aspect of these recordings may place them firmly in the milieu they first gained popularity – the exploding world of DIY pop, blog-based music discovery and the seemingly endless possibilities of the beginnings of of social media – but Europa’s songs are really made to be sung to and by people, they’re statements of intent, of togetherness and defiance.
The album’s title track is a kernel of righteousness, an archetypal Molly Nilsson moment that contains all hope in its fist, which steadily opens outstretched to everyone who listens. Europa was written in 2009 about the ongoing refugee crisis, an open love letter to humanity. “The borders are only lines in the sand, the borders are divided by land (and invented by men.)” Europa praises the idea of people coming together to make things better, to help each other. It’s not about this Europe but the idea of having no borders to imprison people. Think of Europa as an alternate universe, where no one is illegal, but free. It’s heady stuff to sum up in a song but of course Nilsson’s effortless chorus-writing render all these notions and feelings in a few simple words. This is of course her chief talent, whether singing about heartbreak or global financial meltdown and it is in abundance here.