An intimate overture. Woodwind instruments in a whispering dialog. With »Octant« this second album of Tied & Tickled Trio begins far away from the Storm and Stress of their self-titled debut. It begins in a mood that is typical for »Ea1 Ea2«, which was originally released on the small Weilheim-based label Payola in autumn 1999. Also the second track »Unwohlpol« - built around an electronic pattern - spreads a calm, nearly melancholic atmosphere. Or »Yolanda« with its charming piano tune, a remembrance of Eric Satie or a long autumn walk.

»Ea1 Ea2« is a cool, sometimes even a calculated album. It is about reducing and pausing; less free-jazz than the debut. Like in »D.b. Track» where the nervous shimmering of electronic noises flows into the warmth of a swelling trombone. Cool jazz – that's what the press was reminded of.

In some directions »Ea1 Ea2« is the consequent follow-up to Tied & Tickled Trio's self-titled first album. It isn't a minor intensive record, but it is intensive in a more introvert manner. The different influences of Tied & Tickled Trio are clearly separated: Sensitive Jazz without fear of pleasant soundings, noisy but carefully measured electronics and the polyrhythmic drumming of Markus Acher and Casper Brandner, who had both started Tied & Tickled Trio as a drums-only duo in 1994.

But there was also something new about the debut: »Ea1 Ea2« deals with the recording studio's possibilities in a curious and open-minded way. It phrases the difference between the live and the studio situation, which from then on became a challenge for Tied & Tickled Trio. Seven years later the band has just released film material of one of their recent concerts on their DVD »A.R.C.« on Morr Music as a result of this process: Their concerts are not just a reproduction of their studio recordings and vice versa.