Yuko Araki
End Of Trilogy
Room40
/
2021
CD
16.99
RM4137
Monochromatic print, matte laminate jacket with emboss, insert card
Incl. VAT plus shipping / Orders from outside the EU are exempt from VAT
Tracklist
1Code of Sanctuary
2Exhalation
3Dazed
4Cat Food 2
5Inconstant Tangents
6Positron in Bloom
7A Ripple from Observatory
8Tricentennial
9Blood and Castle
10Lost Race
11Moonstroke in the Mountain
12Optical Landfall
13Dreaming Insects
14Barnacle Twins
15Howling Nebula
16Dying of The Night

Yuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.

Raised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.

End Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.

End Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.

End Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.