|1||Code of Sanctuary|
|4||Cat Food 2|
|6||Positron in Bloom|
|7||A Ripple from Observatory|
|9||Blood and Castle|
|11||Moonstroke in the Mountain|
|16||Dying of The Night|
Yuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics.
Raised as a pianist, Araki’s teenage obsession with metal opened a gateway towards various types of intense sonics. Exploring a range of diverse music projects over the past decade, her solo work resolved in 2019 after she developed an approach to freeform analog noise. Working with a reductive set of tools, her methodology was to create work that created a sense of timbral density and complexity through a weaving together of competing elements.
End Of Trilogy pushes this approach outward, taking in almost Kosmiche sensibilities, creating a sound that glints with the unsteady radiation of a dissolving pulsar. The album is an offering of competing states of tension and release. It merges polychromatic pulses against waves of sheering noise and uneasy ruptures of sound.
End Of Trilogy is a record of unpredictable momentum and tempered ferocity. Even at its most intense. Yuko Araki’s work maintains a sense of playfulness, and a determination not to succumb to mere sonic nihilism. Drawing on techniques borrowed from 70s prog-rock and even free jazz, she dissolves expectation and in the process reveals an utterly personal approach to noise and experimental electronics.
End Of Trilogy is not merely a conclusion, but rather an interrogation of what comes next.