Théâtre du Chêne Noir
Aurora
SouffleContinu Records
/
2020
LP
19.49
FFL060LP
Incl. obi strip
CD
12.69
FFL060CD
Digifile + Obi strip, incl. 2 Bonus tracks (Miss Madona EP)
Incl. VAT plus shipping / Orders from outside the EU are exempt from VAT
Tracklist
  • CD
  • LP
1Arrivée de la Terre et de ses Enfants: L'Aurore 7:22
2Le Bonheur 4:32
3La Vieillesse et la Mort 5:26
4Le Conte de la Terre à ses Enfants et la première apparition des Hommes Oiseaux 7:21
5La fascination des Enfants de la Terre par les Hommes Oiseaux 5:50
6Vivre 5:12
7Le Chant du Cirque 5:13
8Le Numéro de Miss Madona / La Balade de la Bête 5:12

In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to all kinds of artistic audacity, but also the name of the great Theatre Group which resides there.

Gérard Terronès showed some flair when he published, in 1971 on Futura, the first album by Théâtre du Chêne Noir. It has to be said that the group run by Gérard Gelas was right up his street: non-conformist, eccentric, protesting, just so alive... Singing too, as we can still hear today on Aurora, recorded at Avignon the 22 and 23 June 1971.

Aurora, which had been created a few weeks earlier at Ariane Mnouchkine’s Théâtre du Soleil, is according to, Gelas’ own words, a fantastic tale with actor musicians who play out the fabulous story of the Earth, and children who fight against terrifying bird men who fly from planet to planet to enslave the inhabitants and become the masters of the universe. It is an ambitious subject and thankfully (even more so for the album than for the play), the actors are also excellent musicians!

If we can find «Chêne Noir» between Checkpoint Charlie and Chillum in the Nurse With Wound List created by Steven Stapleton and John Fothergill, Aurora is closer to Stances à Sophie by the Art Ensemble Of Chicago and the Divine Comédie by Bernard Parmegiani and François Bayle.

So, we need to move forward cautiously in this landscape of recitals and songs, of mysteries and cries, where saxophones and flutes, electric guitars and percussions spring up... Could the tragic climax have been possible without music? The Théâtre du Chêne Noir replies no to the question and creates a fascinating mix of text and music without one dominating the other. Enjoy the show!