The Cologne-based producer, DJ, author and lecturer has been writing the tech-reviews in »Groove« for many years, tests equipment for various specialist magazines and teaches at the Institute for Pop Music (IFPOM) and Institute for Computer Music and Electronic Media (ICEM) of the Folkwang University. In his current creative phase, he conceptually deals with the topic of granular synthesis. A grain is thus, to a certain extent, a tiny spectral snapshot from a larger musical context - an infinitely expandable, flowing intermediate state.

The results are polyrhythmic sound scenes that appear harsh, artificial and strange in a moment, only to transform into contemplative, warm and familiar frequency stratification minutes later. Numinos deceives the listener in many ways. Above all with the supposed rhythm that does not exist. Because in fact almost all granular clusters within the pieces run in completely asynchronous loops. The addition of a simple kick drum then forces the brain to suddenly hear apparent triplets, quintoles or dotted eighths in these mathematically completely chaotic structures, which are purely fallacy.