|1||From Light to Refraction|
|3||From Refraction to Procession|
|7||From Procession to Refraction|
|9||From Refraction to Light|
Combining electronic and acoustic sound sources through both analogue and digital means to create an ambiguous composite work, a music that sounds neither clearly electronic or acoustic, existing instead in some in-between space: Berlin-based Glotman worked closely with late Icelandic composer Jóhann Jóhannsson, writing additional film music for ‘Mandy’ and co-composing the score of ‘Last and First Men’ (just released on Deutsche Gramophon). He also contributed to scores by Hildur Guðnadóttir (inc. her Oscar-winning ‘Joker’ soundtrack), Geoff Barrow and Ben Salisbury, Ben Frost, Dustin O’Hal- loran and Hauschka. An assistant at the world-renowned EMS studio, Erlandsson is part of the vibrantly reemerging field of drone music in Stockholm, including the likes of Kali Malone, Maria W Horn and Ellen Arkbro, and has released on XKatedral, Posh Isolation and Portals Editions.
‘Emanate’ is a bold, deep work that dilates time and exists in a blurred interzone between clas- sical and experimental electronic music music worlds. Allow yourself the time and space to be immersed in its currents and depths and ‘Emanate’ will amply reward your attention."