Severed Heads
Clean
Dark Entries
/
2020
2LP
24.39
DE 265
Gatefold sleeve
Incl. VAT plus shipping / Orders from outside the EU are exempt from VAT
Tracklist
1Food City
2On Own Home
3Charivari
4Nightsong
5Car Advertisment
6Love
7Dont Saxophone
8Book
9Tiny Fingers
10Heavily Tatooed Men + Women
11Violins And Moonlight
12Stomach
13You Will
14Turtledove
15Flower
16Clean Loops
17Floopness
18Ladies + Gents Digital
19Somehow Pain
20Subjective
21Always Randy
22Unbreakable
23Traumat
24Opera
25Siren

First Dark Entries release of 2020 is a deluxe 2xLP reissue of Severed Heads’ debut 1981 album ‘Clean’. One of the longest surviving bands to emerge from the Australian post-punk independent music scene, they began in Sydney in 1979. Severed Heads is basically a nom- de-plum for Tom Ellard, who incorporates elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style.

‘Clean’ was amongst the first vinyl releases under the Dogfood Productions banner of Terse Tapes, previously a cassette-only label. For this records Tom used an array of synthesizers (Kawai 100F, Casiotone, Roland CR78+SH1+CSQ100), sequencers, tapes and occasional guitar and violin played by Garry Bradbury. Severed Heads have a language of their own, music that juxtaposes all sorts of noise, in all sorts of ways so that a structure evolves, (fragmented) melody and rhythm being almost a by-product. As one reviewer said in 1981, “It is an ugly album that you simply cannot ignore, it thuds and screeches and makes you stare just to wonder what kind of people would procure such an album.” For this deluxe reissue we’ve included a bonus disc featuring 13 songs, 5 of which have never been released before, culled from live performances, the ‘Side 3’ cassette and a ‘Clean’ demo tape that only surfaced last year, plus "Food City" missing from previous reissues.

All songs have been remastered by Tom Ellard, with vinyl EQ and lacquer cutting by George Horn at Fantasy Studios in Berkeley. Each copy is housed in a gatefold jacket featuring black and white xeroxed artwork from the first vinyl edition. Inside the gatefold are liner notes by Tom Ellard plus photos and press clippings from the period. “‘Clean’ is original and powerful and everybody should listen to it at least once, just so they know where the boundaries lie.” Ashley Crawford, Virgin Press 1981. 25% of proceeds will be donated to the Australian Fire Relief Fund for First Nations Communities, that offers specific direct support to some of those communities with critical costs to cover expenses.