Julian Abraham ‘Togar'
Acoustic Analog Digitally Composed
Hasana Editions
/
2018
Includes Instant Download
CS
8.79
XVIII-III
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Tracklist
1Acoustic Analog Digitally Composed 1 (Percussions)2:49
2Acoustic Analog Digitally Composed 2 (Percussions)2:56
3Acoustic Analog Digitally Composed 3 (Percussions)2:48
4Acoustic Analog Digitally Composed 4 (Percussions)2:10
5Acoustic Analog Digitally Composed 5 (Percussions)2:40
6Acoustic Analog Digitally Composed 6 (Percussions)1:57
7Acoustic Analog Digitally Composed 7 (Percussions)2:33
8Acoustic Analog Digitally Composed 8 (Percussions)1:08
9Acoustic Analog Digitally Composed 9 (Percussions)2:13
10Acoustic Analog Digitally Composed 10 (Percussions)3:34
11Acoustic Analog Digitally Composed 11 (Percussions)2:22
12Acoustic Analog Digitally Composed 12 (Percussions)1:48
13Acoustic Analog Digitally Composed 13 (Percussions)0:54
14Acoustic Analog Digitally Composed 1 (Solenoids)2:48
15Acoustic Analog Digitally Composed 2 (Solenoids)2:52
16Acoustic Analog Digitally Composed 3 (Solenoids)2:50
17Acoustic Analog Digitally Composed 4 (Solenoids)2:08
18Acoustic Analog Digitally Composed 5 (Solenoids)2:43
19Acoustic Analog Digitally Composed 6 (Solenoids)1:58
20Acoustic Analog Digitally Composed 7 (Solenoids)2:32
21Acoustic Analog Digitally Composed 8 (Solenoids)1:09
22Acoustic Analog Digitally Composed 9 (Solenoids)2:13
23Acoustic Analog Digitally Composed 10 (Solenoids)3:35
24Acoustic Analog Digitally Composed 11 (Solenoids)2:20
25Acoustic Analog Digitally Composed 12 (Solenoids)1:47
26Acoustic Analog Digitally Composed 13 (Solenoids)0:54

Julian Abraham is a multidicipline artist and pseudo-scientist from Medan, Indonesia. Recently resided in Yogyakarta, his works are often identified by using terms like generative, manipulations, and dematerialisations. His installation works vary from bacterial fermentation to complex algorithm of electronics, which connect art, environment, science, and technology as new tools to engage and educate both the artist and the society. In this edition, he provides rhythmic reenacment of his recent sound installations. Served to accommodate sonic phenomena and the sound sources, these works represent a hybrid method in a series of sound compositions, which take over the role of the musician, by bridging the physical activity in aural productions. Executed into two different materials: a various selection of percussion instruments that deliver organic impression, and a bunch of magnetic solenoids which construct a tighter mechanical sensation, Acoustic Analog Digitally Composed illustrates how simplicity (or complexity?) of repetition can trigger imaginative experiences in tracing the formal aspects of sound.