|1||Solid Of Revolution||24:26|
|2||Never Odd Or Even||28:36|
Multivocal is a polyphonic maze that unfolds to both the body and the mind. A generative take on rhythm and spacial perception, it presents the same events in different configurations. The two pieces of the album, "Solid of Revolution" and "Never Odd or Even", mirror each other with the same principle in different musical scales: steady pulses with one millisecond difference in tempo start beating together, then slowly phase organically and progress into ever-changing rhythmic patterns until they finally return to unison.
Multivocal emphasizes shifts of attention in the listener’s experience and plays with the expectations that frame it. Originally conceived for quadraphonic sound, the pieces reveal the many different aspects and modes of perception that can arise within the same sequence of notes. In this way Multivocal is influenced by concepts of gestalt psychology such as multistable perception - a term describing ambiguous patterns that offer multiple interpretations at once. The minimalism and repetitive quality of the music also refers to trance-inducing and collective music practices, driven by the strong bodily affects induced through the use of rhythms.
Jessica Ekomane's debut LP, Multivocal, is brilliantly original but will also appeal to fans of Caterina Barbieri, Alessandro Cortini, Shasta Cults, ELEH and the strand of minimal electronic music that runs through the Imprec catalog. Pressed in a first edition of 500 copies.
Those two compositions were recorded live during Ars Electronica 2018 at the occasion of the sleeping event "Sonatas for Sleep/less", curated by multimedia artist Shu Lea Cheang and cultural theorist Matthew Fuller.
Jessica Ekomane is a French-born and Berlin-based electronic musician and sound artist. Her practice unfolds around live performances and installations. Her quadraphonic performances, characterized by their physical affect, seek a cathartic effect through the interplay of psychoacoustics, the perception of rhythmic structures and the interchange of noise and melody. Her ever-changing and immersive sonic landscapes are grounded in questions such as the relationship between individual perception and collective dynamics or the investigation of listening expectations and their societal roots.
Jessica Ekomane is one the six composers chosen as collaborators by Natascha Süder Happelman for her installation at the German pavilion of the Venice Biennale 2019. She’s also part of the SHAPE Platform roaster of artists for 2019. Her work has been presented in various institutions worldwide such as CTM festival (Berlin), Ars Electronica (Linz), Dommune (Tokyo) and Bemis Center for Contemporary Arts (Omaha).