|1||ricochet - lady blum hall|
|2||ricochet lady chapel of the holy innocents|
|3||ricochet_ - lady basilica hudson|
|4||ricochet - lady marine a grain elevator|
The recently composed Ricochet Lady (2016) is the only work for solo acoustic glockenspiel by the American experimental composer Alvin Lucier. Following in the manner of his pieces I am sitting in a room and Vespers, Ricochet Lady embodies Lucier’s approach toward sound’s individual function and mobility within space. This CD defines this approach through four realizations recorded in four dissimilar spaces, ranging from the standard to extraordinary: a university rehearsal hall with walls of drywall and glass, a chapel made of oak and stone, an empty forge and foundry warehouse for steel railway wheels, and a 36-meter tall dilapidated cement grain elevator.
Never one to shy away from convention, Lucier intensifies each performance by instructing that the glockenspiel be placed against a wall or other reflective surface where the soloist systematically traverses the entire range of the instrument in rapid, repetitive patterns, actively disseminating the glockenspiel’s sustain, clicks, and interferences throughout the space. In doing so, the glockenspiel maps the unique acoustical characters of each space as each space helps to compose the piece.
Created in close collaboration with Trevor Saint, a rare (if not the only) specialist of experimental music for glockenspiel, Lucier has further enhanced the sophistication of this re-imagined instrument while maintaining his devotion to letting spaces speak.
Presented in a stunning digipak with liner notes by Alvin Lucier and Trevor Saint. Design by Lasse Marhaug. Mixed and mastered by Matt Sargent at Bard College, Annandale-on-Hudson, New York. (For an optimal listening experience it is recommended that these recordings be played at high volume).