»The Will of Tongues« is the new studio album by Sarah Davachi, and it is certainly her most ambitious to date, spanning over two hours of music across three LPs. The album features five new solo compositions for historical pipe organs (recorded across the USA, Canada, and the Netherlands), a suite of three choral pieces, a collection of interludes for various microtonal ensembles (strings, brass, woodwinds), and a longform chamber piece for string trio, organ, and tape. The latter two pieces were commissions from the Experimental Media and Performing Arts Center (EMPAC) in Troy, New York, while the choral work was commissioned by Louth Contemporary Music Society in Dundalk, Ireland.

In addition to Davachi performing on organ throughout, »The Will of Tongues« also features an incredible group of musicians and ensembles from across the USA and Europe, including Whitney Johnson (viola), Eyvind Kang (viola), Lucy Railton (cello), Diapason (an experimental/microtonal brass ensemble based in Los Angeles, consisting of Nev Wendell, Nicholas Ginsburg, Mattie Barbier, and Mason Moy), Phaedrus (a Renaissance flute consort based in Switzerland, consisting of Liane Sadler, Charlotte Schneider, Mara Winter, and Luis Martinez Pueyo), and Chamber Choir Ireland (conducted by Nils Schweckendiek).